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'Food Fight
Battle of the Bands
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"Björn Again: The ABBA
Experience" comes to Centennial
Hall tonight. It's a stage show
that goes beyond the music of
the 1970s-'80s super group to
explore the egos and
relationships of the Swedish
foursome - Benny Andersson,
Björn Ulvaeus, Anni-Frid
Lyngstad and Agnetha Fältskog.

The origin of ABBA's name has
two stories: One, they used the
initials of their first names; and
two, the name is a play on a
popular Swedish company
named Abba.

Both are true. The band was
originally named after the
Swedish company, but when
their career was booming
internationally - they went on to
become one of the most
successful international pop acts
ever - they realized no one
outside their native Sweden
would get the name play. So they
held a contest with fans to come
up with a name before settling
on ABBA. They eventually had to
negotiate with the company to
use the name ABBA.

Here's our question: In what
business was the Swedish
company?

Those who answer correctly will
have a chance to win a cookbook.

Click here to submit your
answer.

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Caliente Cover
Click image below to download a PDF of this week's Caliente cover.

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Aznightbuzz Calendar
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.l...
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Glen Campbell puts stamp on covers

By MICHAEL McCALL
Associated Press
Tucson, Arizona | Published: 08.19.2008
Perhaps it shouldn't be a surprise that Glen Campbell, at age 72, would release a collection of songs as ambitious as this. Still, "Meet Glen Campbell" defies expectations.
The symphonic arrangements aren't unexpected: After all, Campbell hits from "Wichita Lineman" to "Rhinestone Cowboy" featured big, majestic backing tracks.
But his choice of material is as unpredictable as can be. Campbell focuses on ballads written by hard rockers and alternative outcasts, putting his deceptively smooth voice to the Foo Fighters' "Times Like These," Green Day's "Good Riddance (Time Of Your Life)," Tom Petty and the Heartbreakers' "Walls" and "Angel Dream," and the Replacements' "Sadly Beautiful."
These aren't cheesy lounge renditions or tongue-in-cheek overstatements reminiscent of Tom Jones' covers of dance hits. Much like Johnny Cash's late-in-life work with producer Rick Rubin, these are serious recordings where Campbell locates the emotional thread in meaningful lyrics from those with different backgrounds than his. The best cuts — his takes on Jackson Browne's "These Days," U2's "All I Want Is You" and John Lennon's "Grow Old With Me" — own a timeless beauty that bridges generations and cultures.
CHECK THIS OUT: In the late 1960s, Glen Campbell and the Velvet Underground represented two sides of the pop-culture spectrum. One was the smiling, aw-shucks host of a TV variety show, the other was an Andy Warhol-endorsed art-rock band singing of drugs and kinky sex. But when Campbell sings the Underground's unsettling "Jesus," it proves how a good song melts away differences to reveal the connections between all of us.

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